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FOR THE FIRST TIME EVER, YOU’LL LEARN ALL THREE ASPECTS OF WHAT IT TAKES TO CREATE STUNNING PORTRAITS
(HINT: IT’S NOT JUST THE LIGHTING)
Scott Kelby, the world’s #1 best-selling author of photography books, Editor-in-Chief and Publisher of Photoshop User magazine, and Publisher of the just-released Light It magazine, has reinvented how lighting books are written by finally revealing the entire process from start to finish. You see everything from the complete lighting setup (and all the gear used), to the shoot (including all the camera settings and a contact sheet of the progression of the shoot), to the all-important part that most books don’t dare include–the post-processing and retouching in Photoshop. This book also breaks new ground in the visual way it teaches you the lighting setup. There aren’t any sketches or 3D models–you see the lighting layout in a full-page photo, taken from above during the live shoot, so you can see exactly where everything’s positioned (the subject, the photographer, the lighting, the background–you name it–you see it all). Plus, you’ll see side, over-the-shoulder, and more behind-the-scenes views, so you can absolutely nail the lighting every time.
LEARN THE LIGHTING SETUPS THE PROS USE
Each year, Scott trains thousands of professional photographers during his Light It. Shoot It. Retouch It. LIVE! seminar tour and now, for the first time ever, he’s taken that incredibly popular style of learning and put in into book form. Now everyone can have a real-world reference for getting the same looks today’s clients are clamoring for.
You’ll learn:
- The step-by-step layouts for creating the most-requested and sought-after lighting looks
- How to get more out of one light than you ever thought you could (this is worth it alone!)
- How to control and shape your light without breaking the bank
- The camera settings, gear, and power settings for every shot
- The retouching techniques the pros really use to make their subjects look their very best
- How to retouch hair, eyes, lips, skin, and lots of other little retouching tricks that make a really big difference
- How to create high-contrast portrait effects without buying expensive plug-ins
- A host of insider tricks, invaluable shortcuts, and kick-butt special effects to give you a real advantage over the competition
Plus, Scott includes a special bonus chapter that shows how to create these same studio looks using off-camera hot shoe fl ashes and the modifi ers made for them. There’s never been a book like it.
- Sales Rank: #80738 in Books
- Published on: 2011-09-11
- Original language: English
- Number of items: 1
- Dimensions: 9.94" h x .55" w x 8.00" l, 1.60 pounds
- Binding: Paperback
- 264 pages
Amazon.com Review
Amazon.com Exclusive: Bonus Content from Scott Kelby, Author of Light It, Shoot It, Retouch It
Here are a few things I wish someone had told me before I started studio lighting. In this book, I list ten things about lighting. Here are three to get you started right away.
[Click Photo for Exclusive Content]
Picking an f-stop for Portraits
Start with Just One Light Shoot Tethered to Your Computer
About the Author
Scott Kelby is Editor-in-Chief of Photoshop User magazine, President of the National Association of Photoshop Profession als (NAPP), Training Director for the Adobe Photoshop Seminar Tour, and one of the leading seminar instructors in the industry today. Scott is author of the best-selling books The Lightroom Book for Digital Photographers, Professional Portrait Retouching Techniques for Photographers Using Photoshop, Photoshop Down & Dirty Tricks, and The Digital Photography B ook (volumes 1, 2 & 3), among others. His easygoing, plain-English style of teaching makes learning photography and Photoshop fun. Scott trains thousands of photographers each year through his live seminars, live Webinars, and his weekly videocast. He knows firsthand which lighting and retouching techniques are in demand, and now he shares them all in one place, here in his latest book.
Most helpful customer reviews
50 of 53 people found the following review helpful.
About 80% Retouch It, 15% light it, 5% shoot it
By MiRSD
I'll start by saying I'm a big fan of Kelby's books - they're very easy to read (mostly because they're filled with photos and minimal writing opposed to the opposite!) and you usually get some new information in a non-technical way that's easy to understand.
Unfortunately, I'm kind of disappointed by this one -- while called "Light it, Shoot it, Retouch it", the majority of the book revolves around how to fix the images in photoshop (not too big of a surprise, since Kelby is a 'photoshop guy' before a 'photographer'.
I bought the Kindle version (for use on the iPad) and it looks great - images are clear, large and easy to see. I will say that I'd only use it on a Kindle Fire or iPad (the black-and-white kindles will lose a lot from the book, since it's so image-heavy). If you have one of the above though, this is a great way to save a little money and have a portable version "on the go" wherever you're at.
So the premise for the book is great - they show you a final image, then the lighting setup/camera info and finally the editing to get it there. If you read the free sample chapter here you'll only see the final image, lighting setup and camera information.. this is a bit misleading as about 80% of the content is actually in the editing of each image.
For each "look" you get a handful of views of the lighting setup, which is a great idea! An overhead shot showing the model, background, lights, camera, etc.. (plus some side-shots to see more detail and positioning). For each lighting setup/style, you get 1 image which that chapter will focus on (creating it from the lighting to camera settings to photoshop work).
The included chapters/looks are:
Clamshell Lighting, High-contrast lighting, dramatic glamour lighting, lens-flare lighting, using ring flash for fashion lighting, edgy lighting, full-length fashion lighting, soft glamour lighting, fashion side lighting, lighting for compositing, dramatic side lighting, 1940's hollywood-style lighting.
The entire book pretty much revolves around studio shooting (the exception being the fashion side lighting setup, which is done in a house-location) - while this might seem somewhat obvious for the book, a number of shots do show what looks like an "on location" background (spoiler alert - that's all photoshop).
The setups use between 1-4 lights each and a number of modifiers (a ringflash, diffusers, reflectors, grids, softboxes, egg-crates, strip-banks, octobox, continuous lights, strobes, beauty dishes, backdrops and more -- some take it a little further with fog-machines, hair fans and additional lighting). The funny part is that the book starts with "You don't have to spend a ton of money to get these looks" (which then goes on to say you shouldn't cheap on flash modifiers/accessories). It's also worth noting that a number of photoshop tools in here are specific to CS5 (the latest version), so if you're using CS4 or previous you won't be able to follow along with all of these.
For the lighting setups, Scott includes the power settings of each strobe - if you're trying to recreate this look exactly, this is probably helpful.. but for anyone else, seeing "This strobe is 2.6 and this one is 3.9 and this is 4.2 power" isn't going to help everyone. It would have been great if a ratio would have been used ("This light is half-power of this light and the rear light is double the power of the rest"). If you don't use the same lights he does, the power levels (2.6, 3.9, 4.2) probably won't do you too much good.
There is an "add-on" chapter for using a hotshoe flash instead of strobes, and 1 chapter showing continuous lighting, but for the most part this book only uses strobes (Elinchrom).
The "Shoot it" part is very brief on each chapter - showing you the shutter speed, lens, focal length, aperture and ISO. None of this was really helpful, especially since there was no explanation (why the 70-200mm f/2.8 lens on some shots and the 24-70mm 2.8 on others? Why 130mm, why 24mm? why that aperture?)
After this, you get a LONG section on post processing the image. I'll admit, there are some real cool tips in here (for sharpening/contrast), but I was also very surprised by how basic some were (in a "Really? That's the best way? I came here looking for a better way to avoid doing that!" way). There is also a LOT of morphing - model have an odd bump on their head? lets re-shape that. bald spot? we can add some hair there. With the amount of processing on each shot, this seems like a good book for the person who wants ONE final shot from a shoot, but not for the person who will be going through 100 images from a shoot and editing 40 of them. I was hoping for a way to get "that shot" out of camera, not a way to go in after the fact and fix it. Some stuff could easily be avoidable (shooting a full-body model shot on a 5-foot wide backdrop, then needing to fix it in photoshop? why not start with a 10-foot backdrop and save the time? Unless this is supposed to be a "If you end up in this situation.." tip)
As mentioned above, there are some Photoshop CS5-specific tools used in the processing, so if you're using CS4 or older you won't be able to follow-along completely.
I can see this book being useful for the person trying to run a photo business, maybe providing single-shots (or a small amount of them) and not afraid of photoshop, but for the average person you're probably not going to want to go through a 35-step process for completely re-creating a models face (lighting, cloning, sharpening, contrast, re-shaping, re-painting, re-positioning, background replacement) for a single shot. If you're going to do that, why bother with the crazy modifiers/flashes to begin with?
I'm not afraid of photoshop by any means (I actually like it!), but the amount done here just seems so excessive for anyone but the high-end fashion photographer.
With all this said - why the heck did I give it 4 stars?
Well, there is useful information in here - quite a bit! The lighting diagrams are helpful (a chapter showing the differences in lighting modifiers would have been nice - comparing the same shot with a beauty dish, softbox, grid, ringflash, etc..), the camera settings didn't do anything for me but there were some neat tips/tricks in the photoshop section (while I probably won't use the re-shaping, or replacing backgrounds, the tips for sharpening and contrast were very helpful. For that, it was worth it.
33 of 35 people found the following review helpful.
Awesome Book! love the step by step + looks amazing on the Kindle
By Phillip Guyton
When I noticed that i could buy the full kindle version now, before it's hit stores i jumped right on this, i've been reading Kelby's Blog + watching "The Grid" video podcast that he does and been looking forward to this book, i couldn't make it to the tour he just did so the book is a nice substitute.
I've always enjoyed his writing style, and he answers alot of questions I've had as a semi-pro newbie is a way that i can understand; and i must say that on my PC Monitor it's formatted perfectly, i can scroll from shot to shoot and see how it evolves step by step; i think i may prefer this over having a hardcopy.
I'd strongly recommend this to someone like me trying to figure out the best way to use your lights to create stunning images; also the procedure to really make them "pop" in your photoshop post production.
I like the detail about each shoot so you can really see what is going on; and the contact sheets were a great idea.
EDIT: the kindle version is slightly annoying b/c of the size of the images, you can't really zoom in and see them in great detail , as the other reviewer pointed out this is a bit disappointing.. particularly since the kindle edition is more expensive than the book, the content it still excellent but i did find i wanted to zoom in close than I could.
21 of 21 people found the following review helpful.
Old Dog - New Tricks
By Gareth Davies
As an experienced studio portrait photographer I like to think I know my way round most lighting setups or at least have a pretty educated guess - This book however takes it one step further. People may show you a lighting setup or a finished "polished" shot, but not many take you through the complete step by step process.
For me seeing the contact sheet and Scott's out of camera RAW, lets me relate to how I see my images out of the camera and the potential of the finished shot. Hang in there, it sounds obvious! but Scott's style of writing is as if he is standing next to you guiding you through the stages and why. This is a key thing that a lot of narrators don't get. I looked at a couple of the RAW's and thought hmm, lets see where we go with this.
I love seeing the lighting setup shots from every aspect - front, side, back (and top) showing proximity, angle etc - it takes away the guess work you get from some follow along books I have previously read. The camera settings are there for all to see as are the power settings on the lights. For me venturing out of the studio in to the real world without expensive strobes, this is a godsend.
This book tells you what to edit in what scenario - would I spend half an hour do skin retouching on a full length fashion shot...? no, look at what the focus is on and polish that. Again sounds obvious, but I have been caught up doing things my way, burning up value time.
I have a short attention span and read the manual when something breaks - This book lets you jump in to whatever style you want, when its applicable to you - there is no having to read 15 chapters on things you will never do - if you want portrait, beauty, composite etc just go look it up. There is no expensive equipment needed, in fact the "do it with Speedlights" section is perfect if you don't have a studio etc - this book is ideal for everyone.
While this is a "follow with Scott" ride, not only does it gives you the information end-to-end but for me its a starting point I can experiment with these new styles. I will never know enough about photography and this has certainly got my creativeness flowing again.
New ideas, alternative setups and time saving tips..... The time saved has paid for the book already. And yes I am old school, so I have the physical printed book I can feel and scribble on.
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