[S788.Ebook] Free PDF Hughie., by Eugene O'Neill, Eugene O'Neill

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Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941. In the play, only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew that gives purpose to the shabby livs of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions.

• Sales Rank: #919068 in Books
• Brand: Brand: Dramatists Play Service, Inc.
• Model: 3840446
• Published on: 1998-01
• Original language: English
• Number of items: 5
• Dimensions: 7.75" h x 5.25" w x .25" l, .10 pounds
• Binding: Paperback
• 72 pages

Features

• Used Book in Good Condition

About the Author
William L. O'Neill is Professor of History at Rutgers University. An authority on World War II, his numerous books include America's Fight at Home and Abroad in World War II and American High: The Years of Confidence, 1945-60.

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7 of 8 people found the following review helpful.
Illusion in humanity
By Official NetNanuNanu
A unique format for a one-act play, Eugene O'Neill's Hughie reads more like a short story than a play because of the very lengthy monologues. There are two characters, Erie, a 40ish year old man, small town gambler, lonely soul, boaster, and a run down hotel clerk who merely listens without listening.

The setting is New York, between 3-4 a.m. in midtown New York, a deteriorating hotel built by 1910. The night clerk is new to the job, and focuses on the sounds of the streeets, the city. He encounters Erie Smith, a small town gambler and known to the night clerk as 492. Erie Smith comes back the the hotel and spends the evening discussing Hughie, the previous night clerk who died recently.

We learn all about Hughie through Erie. Hughie was a family man, with children, he was trusting, and led a simple life. Erie was a bragger, an illusionist, low down gambler who has it one day and gone the next. Erie's life is a stark comparison to Hughie's. Erie's keeps letting the night clerk know what a sucker Hughie was, believe anything, a sap, poor.

The reader learns how Hughie's character was important to Erie's ego, confidence. The story hooks the reader in from beginning to end. This was not one of the most popular plays, but very impressive in its format.

Eugene O'Neill died in 1953 and was an honored man with three Pulitzer Prizes for Drama and the Nobel Prize for Literature. This lengthy play, written in late 40s was performed in mid 60s. Jason Robards performed the role as Erie Smith in 1964.

Take the time to read Hughie, told by Erie and you will recognize a lot of "Eries" in our lifetime..... Rizzo

5 of 6 people found the following review helpful.
More short story . . .
By Amazon Customer
One of the comments on the back cover says it pretty aptly: "A compassionate, shattering character study, more short story than play." This is basically a 30-page monologue by one of the characters, with an occasional interjection by the other. It centers around the feelings of Erie (the main character) for the previous night clerk at the hotel where he lives (Hughie), who has died. I found it hard to really like Erie, and I was disappointed with the sudden transformation of the new Night Clerk at the end. However, it has to be said that this play would be great for choosing a monologue for acting class or an audition.

2 of 5 people found the following review helpful.
Hughie All The Way!
By Janice Torres
My class had to read Hughie as an assignment. I have read Beyond the Horizon and have fallen in love with the complete intimacy in which O'neill writes his plays. He used personal experience and showed us a new way to think. This is an incredible play to read and even better on stage.

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[Q695.Ebook] Download Ebook Reading for the Plot: Design and Intention in Narrative, by Peter Brooks

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A book which should appeal to both literary theorists and to readers of the novel, this study invites the reader to consider how the plot reflects the patterns of human destiny and seeks to impose a new meaning on life.

• Sales Rank: #836464 in Books
• Brand: Brand: Harvard University Press
• Published on: 1992-03-01
• Released on: 1992-03-31
• Original language: English
• Number of items: 1
• Dimensions: 8.11" h x 1.03" w x 5.50" l, .96 pounds
• Binding: Paperback
• 392 pages

Features

• Used Book in Good Condition

Review
A major book by a major critic. It will appeal both to literary theorists and to readers of the novel, and it is likely to be seen as an important point of reference for many years to come. (Terence Cave Times Literary Supplement)

Peter Brooks has delivered a major contribution to narrative theory and critical practice in a book remarkable for its lucidity and theoretical adventurousness. (Terry Eagleton Literature and History)

What is...gratifying about Brooks's approach is his insistence that plot elements must survive even the most radical postmodern consciousness...As he so eloquently confirms, so long as there is self-conscious life on earth, there will be narrative plotting in some form or another. To expect us to give it up would be like asking us to give up breathing. (Christopher Lehmann-Haupt New York Times)

A brilliant study...The author goes beyond what he considers the too static approach of the structuralist literary critics to probe the dynamics of narrative and show how they answer our psychic needs...Reading for the Plot is a stimulating ground-breaking book that invites us to consider anew how plotting both reflects the patterns of human destiny and seeks to impose meaning on life. (Publishers Weekly)

About the Author
Peter Brooks is Tripp Professor of Humanities at Yale University.

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1 of 2 people found the following review helpful.
Difficult, requiring in depth grasp of literary theory
By Elaine
I stopped in exhaustion once I grasped the main thesis--plot is fate, discernable in character, and the author is the fate god.

3 of 3 people found the following review helpful.
I happened to come across this book while studying English ...
By Max
I happened to come across this book while studying English Literature at Cambridge University in the UK, and in all my time there this was the most interesting and genuinely revelatory of all the works of literary criticism I read.

51 of 54 people found the following review helpful.
One of the best books I have read on the novel.
By James Wood
Peter Brooks shows, through a series of sensitive analyses of ninetenth and twentieth century novels (and also Freud's case history of the "Wolf Man") what can be got out of novels by attending to what is sometimes thought to be the dryest, most uninteresting thing about them: their plots. Brooks' main argument is that "plot" is not something static - like a skeleton keeping a story together - but something that is continually shaping and being shaped by stories as they develop through time. Brooks main mentor in this book is Sigmund Freud, but Reading for the Plot is very far from the kind of psychoanalytic criticism that seeks to explain Hamlet's neuroticisms in terms of his relationship with Gertrude. Rather, Brooks relates Freud's theories to narratives themselves, showing how, for example, narratives simutaneously engender and thwart readers' desire for "closure." The essay on Dickens' Great Expectations is particularly illuminating, probably because Great Expectations is a novel whose very title describes the kind of plot-philia Brooks is talking about.

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[C654.Ebook] Free PDF Instrumentation: Text: 4th (fourth) edition, by Nicholas R. Rimboi Franklyn W. Kirk

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• Sales Rank: #3745830 in Books
• Published on: 2004-10-28
• Binding: Hardcover

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• Published on: 1998
• Binding: Paperback

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